GALLERY AFRIQUE · FINE ART PRINTING

 

Crafted with
precision.
Built to last
generations.

 

 

 

Every print produced at Gallery Afrique is made in-house by the artist, on museum-grade equipment, with sustainably sourced German fine art paper and archival pigment inks guaranteed to last a lifetime. No compromises. No surprises.

 

 

 

 

 

ARCHIVAL PIGMENT PRINTS

 

Museum quality, produced in-house

 

Every print we produce is made on our Epson SC-P9500 — a twelve-colour, large-format fine art printer regarded as one of the finest instruments available for photographic fine art reproduction. The result is exceptional tonal depth, colour accuracy, and resolution that does full justice to the original photograph.

 

We source our fine art papers exclusively from leading German manufacturers, sustainably produced cotton paper chosen for both its archival credentials and its exceptional surface quality. Cotton is a natural, renewable material that accepts pigment inks with a fidelity that wood-pulp papers cannot match.

 

Every print is personally inspected by the artist before it leaves our studio. If it does not look exactly as it should, it is not shipped.

 

 

 

TECHNICAL SPECIFICATION

PRINTER

Epson SC-P9500 · 12-colour large-format fine art

 

INK

Archival pigment inks · museum longevity · gallery-grade

 

PAPER

German cotton fine art paper · sustainably sourced

 

CANVAS

Epson fine art canvas · conservation-grade

 

COLOUR PROFILE

Artist-reviewed before dispatch · colour-accurate to original

 

BORDER

Narrow white border included for framing

 

EMBOSSING

Artist's blind emboss in wide border of edition prints 

 

NUMBERING

Hand-written edition number + unique serial on reverse

 

PACKING

Protective art tube · dent-resistant cardboard

 

SIZES

From 24" (60cm) · Large-scale from 60" (152cm) · up to 2.8m on request

 

LONGEVITY

Lifetime guarantee on print stability under normal display conditions

 

 

 

TWO PRINT TRADITIONS

 

A choice between two of photography's finest mediums.

 

Gallery Afrique offers works in both contemporary archival pigment and traditional

hand-printed Silver Gelatin. Each has its own character, process, and collector profile.

 

I

Archival Pigment Print

 

 

CONTEMPORARY · IN-HOUSE · EPSON SC-P9500

 

Our standard fine art print — made in-house on German cotton fine art paper with twelve-colour archival pigment inks. Exceptional tonal range, precise colour accuracy, and surface quality that rewards close inspection at any scale.

 

German cotton fine art paper · sustainably sourced

Epson SC-P9500 · twelve-colour archival inks

Artist-inspected before dispatch

Narrow white border for framing

Artist blind-emboss in wide border on request

Hand-written edition number + unique serial on reverse

Shipped rolled in protective carton tube

Custom-sized to your space requirements

Lifetime stability guarantee

II

Silver Gelatin Print

 

 

TRADITIONAL · HAND-PRINTED · DARKROOM PROCESS EST. 1874

 

For collectors who appreciate the finest in photographic art. Silver Gelatin prints are produced using the traditional darkroom process established in 1874 — rich, deep blacks, organic texture, and a timeless tonal quality that digital printing simply cannot replicate.

 

Each print is unique. Chemical toning affects midtones, highlights, and shadows differently across every print — giving each piece a genuine depth and individuality that makes it irreplaceable.

 

Traditional fibre-base silver gelatin paper

Processed in liquid photo chemistry · rack-dried · heat-flattened

100+ year display life expectancy (Wilhelm Research Institute, USA)

Each print is unique — toning varies naturally between prints

Produced by Dennis Da Silva — Master black & white hand printer

Shipped flat-packed in protective cardboard crates

Extended lead times — this is a slow, careful, handmade process

 

Only a handful of labs worldwide are still capable of producing Silver Gelatin prints to this standard. These are increasingly rare and sought-after works.

Dennis Da Silva

Photograph by Harry De Zitter

 

HOW EVERY PRINT IS MADE

 

From field capture to your wall — every step in our hands

 

We do not outsource. Every stage of production — from processing and curation through to printing, inspection, and packing — is handled within our own studio by the artist and gallery team.

 

01

 

CAPTURED ON LOCATION

 

 

Shot in the field across Southern

Africa using Hasselblad medium format and Canon full-frame systems.

 

No manipulation. No compositing. Original RAW files retained.

02

 

CURATED & PROCESSED

 

 

Each image is carefully selected and processed in-house by the artist, preserving the integrity of the original capture.

 

No AI. No filters. Only tonal adjustment faithful to what the camera recorded.

 

03

 

PRINTED TO SPECIFICATION

 

Custom-sized to your requirements and printed on the Epson SC-P9500 using German cotton fine art paper and archival pigment inks.

 

Colour profiled for accurate reproduction.

 

 

04

 

ARTIST-INSPECTED

 

 

Every print is reviewed by the artist before it is signed, embossed, numbered, and prepared for dispatch.

 

If it does not meet the standard, it is reprinted.

05

 

PACKED & SHIPPED

 

 

Rolled prints are carefully

packed in protective carton

tubes.

 

Flat-packed works ship in

rigid protective crates. 

Archival Fine Art Photography from Southern Africa